Happy Summer Vacation! 5 Things PR People Can Do To Keep Sane While Away

You made it.  The big day is finally here and you are headed out of town for a little bit of rest and relaxation.  But even though you try to schedule time off when the world is in slow mo’ it’s still very difficult to “unplug.”  In fact, I would say checking out completely is more nerve-wracking than actually making a plan to address work in a reasonable way while you are on vacation.

Sometimes though, the best of intentions can’t keep you from a media crisis, like the time I had to deal with producers at the Today show while at Busch Gardens in Virginia.  Or the time I had to walk a client through a national media booking from the porch of a general store in North Carolina.

Barring any emergencies, here are 5 things you can do to keep sane and to make re-entry as pain-free as possible:

  1. Make a list of what you want to get done before you leave, and a list of what you are going to do the week you get back.  The “before you leave” list is clear, but more importantly, start thinking of what will need to be done when you return so you have some organization in place.
  2. Download files from your work computer. If you work on a computer at the office, make sure you download anything you might need onto a USB drive.  This way if someone wants a press release or a file and there isn’t anyone else to send it, you will be able to fulfill the request.  Even if you don’t have a personal laptop to bring along, there are internet cafés everywhere.
  3. Arrange for a roaming plan on your phone. This is especially true if you are traveling internationally.  Roaming charges are steep for cell phones, but many carriers offer packages that limit the cost/minute of phone time and allow for some data downloads.  You still need to wrestle the phone away from your tween and teen, but you can be available for emergencies without having to worry about hundreds of dollars on your phone bill.
  4. Out of office on your computer.  This may seem like common sense, but you may forget to do it anyway.  Leave an out-of-office on your email and make sure it sends “once per email address.”  There is nothing more annoying than repeatedly getting messages from someone who is not there!  Make sure to explain that you are on vacation and that so-and-so can be reached to help with immediate needs.  Or you can say you are checking email daily, but for emergencies you can be reached at “x” number.  Most people won’t call you.
  5. Check email twice a day. In his book The 4-Hour Work Week, Tim Ferriss says that you need to limit the amount of times you check your email in order to be more efficient.  What better time to practice this approach than vacation?  So instead of hitting that “inbox” button over and over when you are waiting for someone to get back to you, plan on reading emails in the morning and in the late afternoon or early evening.

BONUS TIP: Relax, have fun, and enjoy this well-deserved respite.  Being in your shoes myself, I am sure you deserve it!

Self-Publishing: How to Produce a Good Looking Book

book editorHaving been raised by an academic who learned everything from a book, when I decided to return to New York City to be a professional actor, I sought out a manual called How to Be a Working Actor.  Unfortunately I’ve found a lot of “how to” books contain pithy and not very useful advice.  But the one thing that stuck with me from this one—I think because I was shocked that it was actually in there—was about appearance.  The book said when you go to auditions you need to be clean, body and clothing, and that you should show up on time.  It was the cleanliness part that threw me: did people actually expect to get jobs if they had a trail of dirt and flies around them like Pigpen in the Peanuts cartoons?

The point is, if you are self-publishing nobody cares if you iron your shirt, but your book has to be clean, combed, and polished for its audience.  Here are four things you need to do to make this happen:

  1. Get an editor.  There are many, many freelance editors out there and by looking at different online resources that cater to writers (such as www.wherewriterswin.com) you will be able to find your own.  I’ve been quoted an hourly rate of $50/hour, but there are some that are higher and some that are lower, depending on their experience levels.  Your book needs to be readable and as free of basic grammar mistakes as possible.  It will be tossed aside by reviewers if they look at a couple of pages and it’s clear that the book has many errors.
  2. Get a book designer.  You may not know about these folks, but they are important.  Your book, whether sold in e-book or print needs to be formatted appropriately so it looks professional.  A designer will paginate, insert chapter headings, justify margins, and make sure that your book isn’t screaming “self-published” to a reviewer, bookstore, or reader.
  3. Register your book with the Library of Congress.   You can go to the website for directions on how to do this.  Consider investing in having someone who knows what they are doing to provide the “in catalog” data for libraries.  This looks like some kind of secret code to me, but it’s necessary for providing librarians with the information they need in order to shelve the book.  I’ve used the folks at www.fiverainbows.com to help with this.
  4. Set yourself up as a publishing entity.  Don’t publish the book with your last name as the imprint.  Take the time to consider what you want to name your business, because publishing is one.  Try your hand at a simple logo or get a friend who likes to play with graphic design to draft one for you.  No matter how you do it, it will serve you better to have a publisher name associated with your book.  There are so many independent houses these days, it is getting harder to differentiate between the “self-published” and the “traditionally published”.  Many independent presses are going the route of self-publishing when it comes to printing their books, and their distribution is no different from what you can do.  They may have staff, like editors, who can help you, but their actual process isn’t so different.

Stay tuned for more book business news about the mysterious world of back matter, front matter, jackets and back ads.

Explore Your World Outside of the Office (Preferably in a Different State)

PubSense_logoMy mother used to say that taking a vacation or a break from your regular routine was especially good for gaining perspective, opening doors, and making decisions.  I think business trips can do the same if planned well and embarked upon with an open mind.
Last week I attended the PubSense Summit in Charleston, SC as a faculty member, sharing expertise on marketing and publicity in the world of books, brands, and authors.  It is a really great conference, in part because the people who organize it are so nice and smart—they saw a dearth of opportunities for writers to get together in the southeast, so they produced their own event.  Necessity is the mother of invention (another thing my mother says, and yours too perhaps).
I met some interesting writers—traditionally and independently published, and I had the opportunity to attend some lectures as well.  Today I will try to impart some of the things I took away from the trip that may be helpful to you.
Things to note about Publishers Weekly:  They receive about 1,000 books per week and only 9,000 are reviewed in the magazine and online combined.  Also, they only pull 25% of what they receive for consideration.  I asked about the criteria for selection and was told that some of this information is not to be disclosed, but I did learn that sloppy press kits or unreadable review copies will most likely be tossed to the reject pile.
Also, they have instituted an automated, online service called Galley Tracker, which is where you register the books you are submitting for review.  Then you are free to check the status of your book, thereby eliminating the need to actually call an editor at the magazine.
Audio on Amazon:  Amazon has an independent way for you to publish your book in audio format. In fact, Joanna Penn said that you should try to make your books available in as many digital formats as possible because people in India or Germany may want your book even if it is only available in English.  The more versions and outlets = exponential sales for the author.
Move over Bookbub:  I had to great fortune to run into a couple from North Carolina who directed me to breakfast off-site (I have a horrible sense of direction).  They run a company called FreeBooksy.  This is a service similar to Bookbub, except the cost for authors and publishers is lower and I believe that it is easier to get into a promotion.  They have access to at least 200,000 readers, but you can click on their name to go to the website for more info.
National Pencil Day? Who knew: There is a website where you can find out what is special about a given month, week, or day in a given year.  If you want to try to find a media hook for promotion, check out Brownielocks.
Another review outlet for literary and other kinds of books: I don’t particularly like authors having to pay for reviews, but when a review outlet is willing to go the extra mile it is worth it.  Chanticleer Reviews will cover your book and market the review through their publication, Amazon, and social media channels.  They have high credibility and other outlets may run their pieces as well. Plus, the people who run the publication are true book lovers, and want to do whatever they can to help authors.

Are readers more likely to be cat or dog people?

A client of ours writes a mystery series that is funny, engaging, and every book so far has gotten an endorsement from Janet Evanovich — you can’t get much better than that in this genre.  Her new book, which will be released this fall, has all of the great trappings we’ve come to expect, plus a special guest: a cat.Now, I haven’t seen the manuscript yet, as it is still in the midst of the writing/editing process, but I was thrilled with the idea that a furry friend was going to be a part of the excitement.In the spirit of cat love, we suggested she might start a campaign involving cat photo submissions on her Facebook page and a Pinterest board featuring our fine whiskered friends.  Well, she has been bombarded with submissions and it made me wonder: is there a link between the kind of animal lover you are, and reading?

IMG_1364This is one of my cats (I have two).  I mean, look at this face—it screams mystery, intrigue, and “I am just going to sit near you and sleep for the next several hours so you can be engrossed in your book.” Not to predict my future as a stereotypical cat lady or anything, but I can tell you that cats are the perfect reading companions—quiet, manageable in size, and they sleep for about eighteen hours a day.

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Dogs on the other hand are an entirely different story.  This is my dog Katie.  I love her to death, but I think dogs work against our ability to read.  First of all anything I do that doesn’t involve her makes her jealous, so a book, although not a threatening cat or dog rival, is still something that takes my attention from her antics.  Just when I get into the good part of a novel, a slimy, oinking pig toy is tossed in my lap for playtime.  If I don’t give her what she wants, she will likely eat a roll of paper towels or hold my daughter’s favorite stuffed animal hostage.  No amount of doggie biscuits alone will meet her ransom demands.

Do readers = cat people? What kinds of books might a cat or a dog person like the most?  I am going to suggest that more people who like/own cats read books, especially mysteries.  Dogs are a bit more of a challenge. What do you think? To share your dog/cat photos with us, Tweet us your opinions or pet pictures @McKinneyPR!

Marketing, Advertising, & Public Relations: Can you have one & not the others?

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Image by Aimee Kinsella via Flickr.

Although we are a consumer-driven economy and the competition for customers is fierce, most of us probably don’t know what is actually entailed in reaching a customer base. There are two major umbrellas that serve this purpose, and they are huge industries: Marketing and Public Relations.

Many things fall into these two camps.  According to the American Marketing Association, Marketing is defined as “the activity, set of institutions, and processes for creating, communicating, delivering, and exchanging offerings that have value for customers, clients, partners, and society at large.”   Hmmm. The one I found on Yahoo is somewhat clearer: “The strategic functions involved in identifying and appealing to particular groups of consumers, often including activities such as advertising, branding, pricing, and sales.”

For people who are trying to sell product, especially intellectual property which includes books, there are several ways to go about digging in to the marketing functions.  Let’s break the definitions down and identify what each piece is intended to do.

“Appealing to particular groups” or Finding your audience.  Who is going to buy what you are selling?  Be interested in what you have to say?  What are these people talking about now, and where can you find them?

“Branding”: Deciding what you or your product represents.  How do you want to package yourself?  What packaging is appropriate?  What kind of image are you and your product presenting?  How can you directly appeal to your audience?  Answer these questions and create the right language and visuals that go along with the brand.

“Pricing and sales”:  You don’t want to charge too little, but also not more than the market will bear.  Research what comparable services or products are going for in the marketplace and set your price accordingly.

“Advertising”: In my experience, advertising only works when you are working with something or someone who is already a known entity in the target market.  Otherwise, unless you have a major budget for an ad campaign, you are trying to create awareness about something that no one knows about.  This is better suited to publicity and the public relations industry.

Public Relations is “the art or science of establishing and promoting a favorable relationship with the public, ” again according to Yahoo.  I love the thought of it being an art or science.  In layman’s terms, pr is about getting the word out through appropriate messaging across many channels.  First you create the story or message you want to broadcast and then, via traditional and digital media, you propagate the information.

Messaging comes in many different forms including press releases, original articles, podcasts, and videos that you can market across the media world.  Again, knowing your audience is key because you have to find a way to communicate with them that will get them to take notice of what you are trying to say/sell.

Publicity is all about media and comes into play after the message is ready.  Here there are similarities to the way advertising works, except that publicity incorporates or generates stories.  Advertising can be very one-dimensional and static (like a full page ad in the NY Times).

Generally, given the number of outlets there are to promote things and the many different ways you can reach people through social media channels, you are likely to need a combination of some or all of the above.  In order to meet the changing needs of clients and authors, I’ve become a hybrid publicist who is well versed in public relations strategies and marketing.  It’s a lot more interesting to know how all the pieces fit together and hugely gratifying when you can be successful and see results.