Accessibility in Design: Color Choice

Previously, I held a job for a large tech company working in quality assurance. I tested software from an end-user perspective to make sure things worked as intended when the code was changed. One of the most important and often overlooked aspects I tested was software accessibility. Accessibility can range from ensuring screen-readers pick up all text on the screen to checking that keyboard commands work. However, it also covers how your software and its graphics appear visually. Drawing from what I learned, I’d like to extend some tips to help make your designs widely accessible. The first design element I’ll be covering is color choice. 

Color Contrast

One of the first things I learned to test for when considering accessibility was contrast. Like many programs, our software even had a “high contrast” mode.  The point of high contrast is to make it easier for people with weaker or strained eyes to distinguish things like text or icons from the background. While it may be jarring at first, easily distinguishable colors put less stress on your eyes long-term. The minimum accepted ratio for high contrast colors is 4.5:1 between the foreground and background, according to WebAIM’s accessibility guide. However, there are different levels of contrast that correspond to different levels of accessibility. For instance, the Web Content Accessibility Guidelines says that a 7:1 ratio is necessary for a AAA level of contrast. Note that neither of these are legal guidelines for the private sector, but rather a best practice.

There are tools out there that make finding this ratio easy. I recommend using WebAIM or Colorable if you’d like an easy, browser-based tool.

Color Choice and Accessible Design for Colorblindness

Did you know that around 8.5% of the world’s total population is color-blind? It’s important to take this large group into consideration, especially when trying to communicate essential information to your audience. Since the most common type of colorblindness is the red/green varietal, avoid using green and red in conjunction with one another. Layering red text atop a green background might be difficult for a lot of people to read.

However, as there are several types of colorblindness, some designers suggest that using color alone to differentiate crucial elements is bad practice. For example, a clothing website might want to list the color options by name instead of swatches alone. A website that uses status notifications should make their icons different shapes as well as different colors. Using both patterns and color to distinguish segments on a map would make it easier to tell the sections apart. There’s a lot of ways to combine color with other design elements to make it accessible to that 8.5%!

When designing something with colorblind users in mind, it can help to simulate what colorblind people will see when looking at your work. Sim Daltonism is a great option for Apple users, while VisCheck offers a program that PC users can download.

A lot of these guidelines were made with web and software design in mind. However, it can’t hurt to keep some of these suggestions in mind when designing graphics for social media. When trying to build a brand, you need to send a clear message about yourself. People should be able to tell what that message is without struggling. If they can’t read the text or understand the graphics they’re presented, they’ll never be able to do that. It’s a small step you can take towards making the web friendlier and more accessible!  

If you’d like to see more about graphic design, please check out the graphic design tag for our blog feed.

Trine Fallacy by C.K. Donnelly

A book cover with a red background that fades to black around the corners. In the center is a ruby colored amulet on a dark grey chain. The author name C.K. Donnelly is at the top and the book title Trine Fallacy: Book 2: The Kinderra Saga is at the bottom.“The Power from Without wasn’t a surrender but a domination. The emptiness created as she bled the life from the sailor only magnified the desire to pull even more life to her to fill it, an unending addiction. Using it made her crave more power. The more power she poured out through the amulet, the more she wanted. The need became an obsession, unstoppable.”

Mirana Pinal has nowhere to hide. After attempting to deny her true identity, she has been revealed as a legendary Trine—a rare individual who possesses three powers from the divine Aspects Above. Most people blessed with an Aspect would be a Defender, a Healer, or a Seer, but Mirana is all three, and her first experience harnessing these powers almost killed her.

But, with her title comes the immense responsibility to protect her home of Kinderra, a land ravaged by a ceaseless conflict with the Ken’nar. In C.K. Donnelly’s highly anticipated second book in The Kinderra Saga, TRINE FALLACY (Kibbe Creative Media LLC, August 31, 2021), Mirana and her mentor journey across the lands of Kinderra to find the answers they seek to save her beloved Kinderra and its people.

Through haunted desert canyons, harrowing oceanic trips, and hostile cities, Mirana finds that there is much about the history of Kinderra she does not know. And much, in fact, that she should not trust. Meanwhile, her parents and the other Aspected who defend Kinderra find themselves amidst hopeless battles and hollow victories. The Ken’nar forces that attack relentlessly are growing stronger, and the Kinderrans cannot seem to overcome them.

“‘Mirana, there are many things we wish were not true, but to ignore them is a fallacy leading to self-destruction.’ His voice had dropped to a whisper. ‘Accounts of such a skill exist in ancient, long-forbidden texts.’

She raised an eyebrow. ‘If they are forbidden, how do you know about it?’

He threw another twig into the fire. ‘No knowledge is truly forbidden. It is only how one uses such knowledge that makes it damning.’”

TRINE FALLACY brilliantly begins to answer the questions left at the end of Trine Rising, weaving an incredibly rich and complex tapestry. Set in an immersive world all its own, TRINE FALLACY is a book that has both flashes of exhilarating hope and moments of bleak reality. Both are palpable through the lens of the rich and compelling characters who tell them. At its heart, TRINE FALLACY is a gripping exploration of the area that exists between the light and the dark and how one finds their own truth within it.

About The Author

While other kids read comic books under the covers with a flashlight at bedtime, C.K. DONNELLY wrote fan fiction and fantasy stories. She used her love of writing to pursue a career in journalism and was honored with several press awards for business and economic reporting. She has also held careers in healthcare, and currently runs a freelance writing and marketing support firm. She resides in Arizona with her oh-so-patient husband and her little black dog (who is equally patient). She no longer writes under the covers by flashlight. Usually.

Trine Fallacy
Book 2: The Kinderra Saga
By C.K. Donnelly
Kibbe Creative Media LLC
Publication Date: August 31, 2021
Hardcover ISBN/Price: 978-1-7350518-4-0; $25.95
Paperback ISBN/Price: 978-1-7350518-5-7; $14.95
Ebook ISBN/Price: 978-1-7350518-6-4; $9.95
Pages: 400

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Captain Cake by Chris Skinner

Captain Cake: Meet The Candy Crew by Chris SkinnerNew to fatherhood, Chris Skinner takes a leap from FinTech to fiction in a new series of children’s books for emerging readers. A father of twin boys, Skinner was dismayed to find that there were not a lot of great G-rated superhero stories to share at bedtime, and so CAPTAIN CAKE: MEET THE CANDY CREW (Marshall Cavendish Children; August 2021, ISBN:9789814928632; Original Trade Paperback) was born.

In book one of the five-part CAPTAIN CAKE series, Skinner introduces Captain Cake, Lieutenant Chocolate, Sergeant Jelly and Private Potato for an adventure like no other. Together, The Crew team up using each of their unique attributes to complete their very first mission. But will they be able to work together cohesively, or will differences in personalities stand in their way?

CAPTAIN CAKE is the perfect example of how far a little teamwork and problem-solving can go when learning new skills and having fun along the way!

About the Author: Chris Skinner is a financial technology expert and author of Digital Bank, Digital Human and Doing Digital. As a doting father, he would read stories to his twin boys every night. But when the boys got older and it became a challenge to find age-appropriate adventure stories for them, Chris came up with the stories himself. Inspired by the twins’ imagination, bedtime storytelling became a dive into the exciting universe of Captain Cake and the Candy Crew as they explored space. Captain Cake is the bestselling author’s first series of children’s books.

You can visit him on the web at captaincake.com.

CAPTAIN CAKE: Meet the Candy Crew
By Chris Skinner
Marshall Cavendish Children
Publication Date: August 2021
ISBN (lib.): 9789814928632
Format: Paperback
Price: $15.90
Page Count: 96

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Book Review: The Prince and the Dressmaker

If you’re in need of something cozy and indulgent of your childhood sense of wonder, I cannot recommend reading The Prince and the Dressmaker by Jen Wang (First Second, $14.50) enough. This feel-good story is a perfect way to kick off Pride Month with some positive representation. 

The Plot:

The Prince and The Dressmaker is a heartwarming coming-of-age story. It follows the relationship between Frances, a young woman who works as a seamstress, and Prince Sebastian, the heir to the royal throne of Belgium. Frances is a creative dressmaker with an eye for avant-garde fashion. This earns her little respect from her traditional boss but catches the eye of the prince immediately. Sebastian hires Frances as the royal seamstress and together they secretly run the underground fashion scene in their city- Frances as the anonymous seamstress and Sebastian as his alter ego, Lady Crystallia.

Despite their success in the fashion world, everything must remain secret. Sebastian fears his dual identity puts his family’s reputation and his place on the throne in jeopardy. Pretending to be someone you’re not isn’t easy, though. It’s a simple story with fairytale like tones and drama that simultaneously never feels too dark but keeps the stakes high for our main characters. 

The Art: The Prince and the Dressmaker

I cannot stress how much I am continuously charmed by Wang’s art. It’s got fluidity to it in the way the panels tend to flow and float at will. The smooth, rounded strokes of the linework give the characters bounce. Wang’s style is cartoonish and pliable, which makes the characters easily relatable because their expressions are always so clear and exaggerated. Wang doesn’t shy away from color, and the gowns designed for Lady Crystallia take full advantage of this. Her dresses often fill up entire page spreads in place of plot development, and I have no qualms with this sacrifice. Lady Crystallia’s outfits are stunning and purposefully contrast Sebastian’s plain, regal uniforms. The life Wang breathes into the narrative with her art perfectly elevates the storybook quality of the plot.

Final Thoughts:

I could read this book over and over, a hundred times. It’s comforting. Quick and simple on the surface, it tells an important story about coming to terms with your identity. It’s a story that a lot of LGBTQ+ folks can relate to, either as something they’re actively going through or something they’ve already passed. When Sebastian sees himself in the mirror, it’s not always himself that he sees, and this book gently takes the reader’s hand and says, “that’s okay.” It doesn’t promise that the journey will be easy, but it does promise that things will work out in the end. That’s a message a lot of LGBTQ+ people need more of.

Design 101: Fonts

Design is a critical element in most aspects of marketing, PR, and social media. It’s the thing that catches people’s attention and draws them in. It could be a book cover design, a flyer, or a graphic you plan to post on your social media feed. If you’re diving into designing things yourself, you’re sure to run into a very important choice at some point – what sort of font will you use? If you’ve never done it before, it can be intimidating. Many programs come with a set of default fonts that you can use freely when you’ve bought the license. However, this can be very limiting. People who have been designing for a long time can often recognize popular fonts on sight. If you want to use font effectively and stand out in whatever you’re making, here’s where to start.

What to look for in a font

The styles of fonts out there are endless- from creepy to elegant to academic, there is something out there that can fit your project perfectly. The first step is understanding what kind of a message you want to get across in your graphic. If you’re designing a book cover for a children’s series, you might choose something rounded and fun. For an invitation to a virtual event, you might want to choose something with looping, cursive-like elements. If it is a more casual event, something with a hand-written print look might be appropriate. If you’re unsure of exactly what you want, try a few different ones and see what fits the look of your graphic. Looking at examples of graphics you like and finding fonts that are similar can be a useful starting point when you’re at a loss.

Where to get fonts

I’m a huge proponent of DaFont, which is a repository of custom fonts where people with a passion for design can upload their work. It’s where I start my searches. Not only is it a large database, but it has fonts clearly sorted and labeled. There are distinct categories for every font to help you find the perfect one. The designers also put their usage terms upfront on DaFont. This is important because to legally use some fonts, you may need to purchase them beforehand. Some are only free for personal use but might require payment for commercial use. Others are 100% free for both personal and professional use. Some may not be used commercially at all! Make sure to check this out before even downloading the font. Beware of fonts that might imitate popular IP (the Harry Potter font is a popular one), since this could also land you in legal hot water. 

Google Fonts is also a place to find fonts that are licensed for both commercial and personal use. It has less choices in terms of categories and gets a bit more technical in its filter system. It is still a comprehensive resource, and you won’t need to worry about whether a particular font is licensed or not.

There are a lot of choices out there – so happy hunting! If you do plan on making your own graphics for social media use, make sure to check out our social media tag for helpful tips!