Links Roundup: Week of 6/13

Our hearts and thoughts are with all of those affected by the events in Orlando this week.

What should writers know about book covers? [Writer’s Digest]

10 Things You Need to Know About Bestsellers Lists [Where Writer’s Win]

Microsoft bought LinkedIn this week for over $26 billion. [NYT]

CONFIRMED that a pretty, pretty, pretty good season 9 of Curb will happen! [Mashable]

For self-publishers: How to prepare for e-book distribution. [DBW]

Links Roundup: Week of 6/6

School’s almost out for the summer, but we’re staying in to bring you the publishing, marketing, and pr news we found interesting from the web. TGIF!

The indie authors guide to events [Publishers Weekly]

Social media and why it is valuable for authors [Where Writers Win]

Are distributors the new “gatekeepers” of book publishing? [Huffington Post]

If you haven’t checked out LitHub’s new book-grading service, it’s worth taking a look at! [Newsweek]

Some great advice on writing guest posts. [Business2Community]

Book Marketing101: 10 Things You Need To Know About Bestsellers Lists

NYT BestsellersI’ve been doing book publicity and marketing for a long time.  I keep doing it because I haven’t lost that kernel of idealism and drive that truly believes in the potential for success of a good idea, book, and/or person who has something to contribute to the conversation in the world.  Coming up with a strategy that makes these things work and makes my clients happy is immensely gratifying.  But (and you knew this was coming), I do raise a caution flag when I get into a conversation about books and bestsellers lists.  I hear all kinds of myths about the “right” way to do this and although there can be exceptions to every rule, there are certain realities we all have to know.

Amazon BestsellersAll of the lists are generated by proprietary algorithms based on quantity, rate of sale, range of sale, date, time, etc.  No one, except the people who wrote these things, knows for certain how they work, and I’ve been told that they are tweaked occasionally when it looks like someone out there is trying to be smarter than the system.  You can’t buy a thousand copies of your book the day before pub date.  You can’t tell a hundred friends to visit your book online or click through to anything.  The numbers are based on actual sales, POS (point of sale) whether online or in person at a cash register.

There are many reasons why or how a book can “list”, as the biz folks say.  If you are traditionally published here are five things you will need to have a shot at the New York Times or other national “print” bestsellers list (physical books sold).

Traditionally Published Authors:

  1. A brand name (meaning you are a known entity to a book buying or commercial audience)
  2. A marketing plan with the right jacket image; front of store placement at Barnes & Noble; and money spent on premiums on etailer sites like Amazon.
  3. Distribution across all sales channels.  This means Amazon has a bunch of copies, Barnes & Noble has a good quantity available to its stores, and the wholesalers like Ingram and Baker & Taylor have bought a solid quantity.  It would help if Target, Walmart, Costco and other “club” stores also had some, but you don’t necessarily need it if you don’t care how high you go on the list.
  4. A traditional and online publicity campaign that gets the word out about the book leading up to and during the first week of publication.
  5. A publication date that is in line with the level of author/book.  I mean that the most books are sold during October – December so if you aren’t able to compete with the titles being released in this time frame, then you don’t have a chance.  You would have to sell twice as many or more copies in order to achieve the same result you would, say, in February.  But again it does depend on the topic and your level of “celebrity” .  (See our article on when to publish.)

If you are an indie author through a small press or on your own without a nationally recognized brand on your score card, and you utilize the print-on-demand technology for your physical books, you will not jump on a bestseller list within a week or even a month of your book being available for sale.  This is an entirely different publication model when it comes to print copies because you are not distributed in stores.  However, you can achieve the coveted rank of bestseller on digital  or ebook lists, especially USA Today and different category rankings on Amazon.

Check out this list of five dos for the indie ebook:

  1. If you have a dedicated audience that is awaiting your next book you need a digital marketing plan via content and social channels that lets your audience know your book will be available for sale.
  2. If you are a new author, you need to work several months in advance at building an audience on social media or through your own personal networking channels that creates anticipation and awareness of the upcoming title.
  3. A great jacket, branding, and messaging that speaks directly to the audience that is the primary market for the book.  This is about generating a “need” for your product.
  4. Error free Amazon page for the book and “buy buttons” on your website or book page so there are no issues when it comes to making a sale.
  5. A traditional and online publicity campaign that provides opportunities for reviews and interviews and reaches your audience(s), creates awareness, and generates positive reviews that lure people to buy!

I also need to be clear and to say that all of the above is about creating the best possibile circumstances to get on a list within a couple of weeks of publication.   You can build a bestseller, but it takes time, attracting a bigger and bigger audience, getting name recognition, having a topic take hold, a news cycle item that brings your idea to the forefront of the zeitgeist, and other things that would take a lot longer to explain.

Ultimately everything is about the book itself and what’s between the covers (or on the Kindle, Nook, etc.).   I think it can be self-defeating to only look at what is on the bestsellers lists and to consider that the ultimate goal.  Does it help?  Sure, but it also can be very short-lived.  Steady sales over a longer term that show a rate of growth are way more valuable than a week on a list and a deep dive down to nearly nothing.  Grow an audience, market your book, and find every opportunity you can to let people know about it.  That is likely to be the best, most rewarding, and most lucrative path to success.

Publicity 101: 5 Things You Need to Do to do for Your Publicist

In an article I read years ago on a PR site, one of the things that stood out and I still remember was that clients need to anticipate dedicating a certain amount of their own time to PR efforts every week.  For authors, this may be daunting because it isn’t what they had in mind when they set out to write books.  Even small business owners with brands to promote don’t have the time to commit to working an effective campaign.  And “work with” is the operative term.

Because it still happens.  We are hired for a book publicity/brand campaign and the author or client checks out after the first phone call.  Don’t get me wrong, we don’t go on working without getting paid.  We often find ourselves stalled, with a lot of questions, and in the position of hunting authors down for things we need.  The ugly truth of it is no matter how wonderful we think we are, publicists can’t work in a vacuum and successful publicity doesn’t happen in isolation.

Today’s campaigns are much more than just booking interviews.  To raise awareness, sell product, and establish a brand there needs to be a clear strategy for media relations, content marketing, and social media.  There are just so many places audiences can be now, and the great thing about it is they are able to be reached directly–from the tiny niche to B2B to a mass consumer group.  So where once you could put together a press release and some talking points and go for days, weeks or even months, now you have to be prepared to shift strategies, find new audiences, recraft messages, target audiences, and the like.  Sound overwhelming?  It can be, but as a PR professional I offer 5 things you can do to make the process more efficient, collaborative and successful.

  1.  Plan regular check in meetings.  Everyone wants to be on the same page and to make sure the trains are running on time, so set up a bi-weekly or even weekly call when you, your agency, and any other entities you suggest can get together to find out what is working and what isn’t.
  2. Provide as much information about yourself and your book/brand that you can.  You know your brand better than anyone else.  It’s also likely that you have collected a lot of information about the industry or topic; have an extensive bio of your own to share on the subject; and have met “influencers” or media contacts that could help.  Prepare a package for your publicist with a list of contacts you know a little, more than a little, and a lot, as well as your bio, CV, articles, tapes of interviews you have done, and any other relevant material.
  3. Share your own ideas.  Just because you’ve hired someone doesn’t mean you don’t have some of your own ideas.  It’s better to have an exchange with your PR people so all potential leads and strategies can be vetted properly.  Brainstorm!
  4. Keep current on your topic.  Watch the news, read about your topic or industry, and network with other like minded people.  Then tell your publicist about it.  You also know your area of interest the best and it makes sense that sometimes there will be something that you find that your agency hasn’t.  The publicist can’t have an ego about this, because it’s a benefit to all to keep each other informed.  Leads can come from all kinds of places.
  5. Be clear about your schedule and availability.  I have literally chased people to book interviews.  Believe me, it can be hard enough to get the opportunity to be on The Today Show, so please don’t vanish in the hour of need.  Another way to avoid something like this is to be totally upfront with your publicist about your schedule for the length of the contract or campaign.  If you know in advance that you are going to Madagascar for a month, let your agency know!  And, another benefit to keeping your schedule transparent is that there could be a media opportunity to be had where you are going or for what you are doing.  I’m not talking Africa right now, but Los Angeles?  That’s another story.

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