Links Round Up: Week of 2/8

This weekend is Valentine’s Day and it’s going to be a freezing one, so snuggle up with your loved ones (including any extremely furry pet cats and dogs)!

Happy-Valentines-Day-with-Lights-And-Hearts-In-Background

This just in: British newspaper The Independent is going fully digital. [New Europe]

16 books to read if you hate Valentine’s Day. [Bustle]

And, 11 romantic books to read if you love Valentine’s Day. [Brit + Co]

Carrie Rubin and Larry Brooks talk the craft of writing. [StoryFix]

Aaron Sorkin is adapting To Kill a Mockingbird for Broooooadway! [Broadway.com]

More updates on Amazon bookstores (spoiler: no one knows what’s going on). [PW]

A fun infographic on the weird writing practices of authors! [GalleyCat]

This weekend may have windchill up to -20F. Tips on staying warm! [Boston Globe]

 

Case Studies #4: Is Publishing Abroad the Solution to Rejection in the U.S.?

publishing abroad in the ukFeel like you can’t get arrested in the U.S. when it comes to publishing your literary novel? Fewer publishers, especially the major ones, are accepting much new fiction from unknown authors.  The financial returns just aren’t good enough for the bottom line.  If you are willing to keep an open mind and you have already decided self-publishing isn’t for you, it’s time to get creative and consider publishing abroad.

This is what one of our clients did several years ago with a collection of short stories.  The story of how he didn’t get published in the U.S. is textbook.  First of all he is a critic for books, movies, and music, and as such is known by a lot of people in the entertainment industry (publishers too!).  He has an agent who did all the right things, and the rejection letters sang the praises of the author and the book.  But that’s just it–it was a pile of rejections, thanks but no thanks.

Through a long-time friend and with his agent’s blessing, our client was published by an independent U.K. press.  Promoting the book under these circumstances was a challenge, but I’m not so sure that it would have been so much easier if a domestic publisher had taken the book.

There are a few things to note regarding the process in this situation.  The main one being that there were very few differences in this publishing model from any indie book project. The book was available print-on-demand through the major online retailers and Ingram and it was set up as an ebook on Amazon, BN.com, and Kobo.  I’m sure in the U.K. all of the standard outlets had it as well, but for our purposes here I am focusing on the U.S. sales channels.

Since this publisher is a known entity albeit a small one, we were able to get a couple of trade reviews without paying a self-published book fee.  Both Shelf Awareness and Publishers Weekly have covered this author’s book from this publisher.  Also, because the book is very literary, we looked to the outlets we know pay attention to the genre and don’t pay particular attention to how big the house is that produces the book.  Foreword Reviews in particular covered the novel very favorably and in fact singled it out as a staff pick for one of the best novels of 2015!  There was also a feature in a local NY paper on the author, notable online coverage like Lambda Literary, and blogs.

As it turned out, the novel and author made out pretty well in the field of literary fiction.  One thing that is always important to consider is that this particular genre is not a huge money-making proposition, which is why it is not attractive for many publishing houses.  For the authors, it is about climbing and achieving little goals in search of name recognition, building a dedicated readership, and selling books.  It takes time and demands that you write, write, write, as well as devote your own resources to the process.

Here I am showing you yet another example of how people are forging ahead with their dreams to write and publish–this time, publishing abroad to find his literary audience–and finding more ways to get around the traditional industry to get the job done.

Links Round Up: Week of 2/1

Accepting the audience that wants your book [Where Writers Win]

What’s the most overused word in public speaking? [PR Daily]

Infinite Jest at 20. [NYT]

What is a book blogger? [Hello Chick Lit]

Joe Alaskey, the voice of Bugs Bunny, died this week. [THR]

The science behind daydreaming & how you can re-train your brain to focus [Fast Company]

Is Amazon planning to open 400 bookstores? [Publishers Weekly]

Robert Durst (of The Jinx documentary) has pleaded guilty to gun charges. [NYT]

Self publishing success: Be realistic. [Publishers Weekly]

Are you living true to yourself? From wonderful author Sara Goff. [ACW]

98 book marketing ideas! [BookBub]

When is criticism unfair? [NYT Bookends]

Science says speed reading doesn’t work. [Inc.]

In honor of James Joyce’s birthday this week, his love letters [Brainpickings]

For Superbowl 50: What makes a great Superbowl ad? [PR Newser]

And for those who don’t care about the Superbowl… Puppies!! [EW]

Social Media 101: Facebook as an Author Tool

Facebook logo wikiFacebook can arguably be considered the first real social media platform. While Facebook has seen its fair changes and overhauls, for the most part it has never been swayed from its position as Social Media King. It is, without a doubt, the social media tool that you need to keep even if you plan on using no other platforms. In this day and age, not having a Facebook will result in strange looks. The benefit of  Facebook is if you are not a fan of social media, you don’t have to post 2-3 times a day. You can post just once or twice a week and it’ll quench your audience’s thirst for the time being.

Although many, if not all, social media platforms are slowly implanting paid services, there’s a lot that an author or brand can do for free. An example of social media done right as an author is Gretchen Archer, who pens the The Davis Way Crime Caper series. She’s great at captivating her audience and keeping them interested in the next book, and much of this effort is how she effectively uses Facebook.

Some tips on using Facebook:

  1. Create an author page. If you want to keep your audience and friends separate, make a page that is about you as an author so you can keep tabs on your professional self and your personal self. We have a lot of authors ask us if they should make a book page too, but we don’t recommend that as book pages don’t see the same amount of interest as author pages. Plus, if you plan on writing more than one book, it’s easier for everyone if you keep it all in one location.
  2. Don’t be afraid to ask. If you’re just starting a new author page, those 5 likes (most likely from your other family members) may seem disappointing. But are you using your Facebook friends to your advantage? Don’t be afraid to invite everyone and anyone to like your new book page.
  3. Post updates on book-related news. Book cover reveals, release date reveals, short excerpts, events, and other topics are always great announcements to post on Facebook.
  4. Support other authors. Is your publisher an indie press? Helping out fellow authors from your indie press by sharing their book events or announcements is always a great way to show you’re part of the team. If you just finished a great book, posting a review on Facebook is another way to show your audience what kind of books you’re interested in.
  5. Cross-promote yourself. If you have a blog, don’t forget to announce your newest posts on Facebook and other social media sites that you have! It’s just one easy way that you can send traffic to your blog.
  6. Show us what you’re into. Did you just read a captivating article on bananas as a superfood, or another crazy couch-jumping Tom Cruise scandal? Sometimes we need a pause from the constant author promotion and posting an interesting link from the internet is the perfect break we need.
  7. Look into boosting posts. You don’t want to waste $5 or $10 every day boosting every single little post you write on Facebook, but if you just released your first book, boosting the book availability announcement with a link to your website or Amazon may help a little with sales. At the least, it’s giving your new book more exposure. It’s worth trying to see whether or not it’s a success.

There are more ways to promote yourself on Facebook using a small budget, but we believe that most of it can be done for free. Since almost 1.50 billion people own a Facebook and 65% of those users log in at least once a day (according to The Independent), you can reach a wide demographic and find your new audience.

Do you use Facebook as an author tool? Tweet @mckinneypr on ways that you use it!

Case Studies 3: Accepting the Audience that Wants Your Book and Reaping the Benefits

You have an MFA in Creative Writing from a respected program/university.  You have been carefully crafting your story and verbiage to create the best literary debut you can. Now for promotion and the audience that comes with it—Paris Review?  The New Yorker? Tin House? New York Times Book Review? Not likely.

Whether you are published by a traditional publisher with a lot of muscle, a small independent press, or your own book production venture, no one can count on that kind of coverage for literary novels.  For one thing, there just aren’t enough venues anymore.  The other problem is that there are too many books and too little time, and frankly, if you are not published by Knopf or Simon & Schuster, you just won’t command the kind of attention you need to get into one of those classic publications.

Whatever you do, don’t stop writing and don’t give up hope for promotion!  We need great writing and great books, and while you can’t market a work of serious fiction as a chick lit novel, you can consider what other audiences might be interested in your story.

Recently we worked with an author and a novel.  It was definitely a literary book, but it also had different attributes that gave it potential in some niche audiences that were actually bigger than the more esoteric fiction readers that serious writers like to reach. The author had supported herself in non-traditional ways while working on her writing and had achieved a position as a teacher and founder of a charity that promotes writing for children in underdeveloped countries. She definitely had the credentials of a writer.

Since we specialize in promoting fiction across multiple genres and niches, we maximized our focus to include media that covered fiction, literary fiction, romance, christian fiction, debut novelists, philanthropy, and New York City settings.  We approached bloggers, websites, print, radio, and when warranted, television.

We were pretty happy with the coverage from the general fiction audiences and the publisher secured a review in the top trade, but what really paid off was a review on USAToday.com from a reviewer interested in the romance/womens fiction angle.  This review was not only a good one, but it did a couple of things that benefitted the author in a number of ways.  First of all when it ran there was a spike in sales on Amazon.com.  We were able to use the review and its national print-to-online paper status to secure additional media including a local television station in one of her home markets.  Was she happy about the review?  Well, at first not so enthusiastic because she was concerned that she would be “pigeon holed” as a romance writer.  I say “who cares?” as long as you sell books at this stage of the game.

Now I am also a branding strategist, so I do know that is important to avoid being classified as something that isn’t appropriate for you or your career.  However, one review for a debut novel isn’t going to determine your path.  It is a milestone that needs to be appreciated for what it is and to be used in as many positive ways as possible.

One of the best things she got from the deal? She was able to get a Bookbub promotion on the first try.  If any of you have tried to secure a slot on this infamous discounted book marketing site, you may have tried two or three times and perhaps did not even get accepted in the end.  One of their requirements is that they have legitimate reviews or news coverage of a book, whether traditionally or self-published and USAToday.com definitely can help put you over the top in terms of qualifying.

Her promotion ran, and her Amazon rank went from five figures to the lower threes, somewhere around 300, which is a major leap in ranking.  Sales activity like this will increase her audience; garner more Amazon/Goodreads reviews and ratings; generate additional full price sales; and will help along with the press coverage when she wants to bring out her next book and is searching for a publisher.

A couple of lessons here: Try to find every possible way to promote your fiction even if it doesn’t lead you to the coveted New York Times review.  When you do get a big nod that isn’t exactly what you wanted, revel in it, celebrate, do the ten second dance of joy, take a breath…and get back to work.